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well, since i recommended it to you f*ck youArmy of GOD wrote:f*ck you if you say otherwise
like 2 years agoArmy of GOD wrote:haha did you? I do not remember this.
You mean The White Ribbon?nietzsche wrote:like 2 years agoArmy of GOD wrote:haha did you? I do not remember this.
but no, now that i remember it it was not this one, it was another german movie with kids that kill the adults or something. cabin in the woods does suck, it's the one that ends with a bunch of monsters right?
Go back to hell from whence you came.muy_thaiguy wrote:Napolean Dynamite
Yeah, that one I did recommend you.Army of GOD wrote:You mean The White Ribbon?nietzsche wrote:like 2 years agoArmy of GOD wrote:haha did you? I do not remember this.
but no, now that i remember it it was not this one, it was another german movie with kids that kill the adults or something. cabin in the woods does suck, it's the one that ends with a bunch of monsters right?

+1Army of GOD wrote:you are totally right. thats the worstmuy_thaiguy wrote:Napolean Dynamite

Agreed, I don't know anyone who saw TLA and didn't hate it. The Cabin in the Woods on the other hand is polarizing, you either love it or hate it. I loved it, thought it was hilariousmuy_thaiguy wrote:the Last Airbender
Indeed, it should.Army of GOD wrote:It should go back to hell from whence it came.muy_thaiguy wrote:Napolean Dynamite
I liked the Last Airbender. It was much better than Avatar, which stole the name. I like everything Shymalan did, except Sixth Sense and Signs. I notice how 2 weeks before After Earth came out, it had a 15 Metascore, putting it in line to be the worst-reviewed movie of the year. There is like a cult of reviewers that sees his name and just automatically assigns low scores. He is like the Adam Sandler of directors, except his movies are good.MegaProphet wrote:Agreed, I don't know anyone who saw TLA and didn't hate it. The Cabin in the Woods on the other hand is polarizing, you either love it or hate it. I loved it, thought it was hilariousmuy_thaiguy wrote:the Last Airbender
Uh, about the only thing remotely good, was at the end when Aang did the thing with the ocean.DoomYoshi wrote:I liked the Last Airbender. It was much better than Avatar, which stole the name. I like everything Shymalan did, except Sixth Sense and Signs. I notice how 2 weeks before After Earth came out, it had a 15 Metascore, putting it in line to be the worst-reviewed movie of the year. There is like a cult of reviewers that sees his name and just automatically assigns low scores. He is like the Adam Sandler of directors, except his movies are good.MegaProphet wrote:Agreed, I don't know anyone who saw TLA and didn't hate it. The Cabin in the Woods on the other hand is polarizing, you either love it or hate it. I loved it, thought it was hilariousmuy_thaiguy wrote:the Last Airbender
I liked everything M. Night did (including Sixth Sense and Signs... I thought Signs was his best one followed very closely by Unbreakable). To be fair, I didn't and won't watch Last Airbender, Cabin in the Woods, or After Earth.DoomYoshi wrote:I liked the Last Airbender. It was much better than Avatar, which stole the name. I like everything Shymalan did, except Sixth Sense and Signs. I notice how 2 weeks before After Earth came out, it had a 15 Metascore, putting it in line to be the worst-reviewed movie of the year. There is like a cult of reviewers that sees his name and just automatically assigns low scores. He is like the Adam Sandler of directors, except his movies are good.MegaProphet wrote:Agreed, I don't know anyone who saw TLA and didn't hate it. The Cabin in the Woods on the other hand is polarizing, you either love it or hate it. I loved it, thought it was hilariousmuy_thaiguy wrote:the Last Airbender
There's a joke about a wet dream to be made here.ooge wrote:Aquaman will come for you in your sleep
I'd post a top ten, but Ooge already has first place.rdsrds2120 wrote:There's a joke about a wet dream to be made here.ooge wrote:Aquaman will come for you in your sleep
BMO
saxitoxin wrote:Serbia is a RUDE DUDE
may not be a PRUDE, but he's gotta 'TUDE
might not be LEWD, but he's gonna get BOOED
RUDE
Glad you liked thatSymmetry wrote:I'd post a top ten, but Ooge already has first place.rdsrds2120 wrote:There's a joke about a wet dream to be made here.ooge wrote:Aquaman will come for you in your sleep
BMO
AOG, you should watch Onibaba (1964). I think you would like it. Lots of eroticism and some toplessness, plus sometimes it is weird and creepy. I think it is available for stream on Hulu Plus, or you can get a Netflix DVD.Army of GOD wrote:So I saw The Conjuring two nights ago. I was reminded why most modern horror movies suck.
It was completely fucking predictable from beginning to end.
Deep within the wind-swept marshes of war-torn medieval Japan, an impoverished mother and her daughter-in-law eke out a lonely, desperate existence. Forced to murder lost samurai and sell their belongings for grain, they dump the corpses down a deep, dark hole and live off of their meager spoils. When a bedraggled neighbor returns from the skirmishes, lust, jealousy, and rage threaten to destroy the trio’s tenuous existence, before an ominous, ill-gotten demon mask seals the trio’s horrifying fate. Driven by primal emotions, dark eroticism, a frenzied score by Hikaru Hayashi, and stunning images both lyrical and macabre, Kaneto Shindo’s chilling folktale Onibaba is a singular cinematic experience.
Maxleod wrote:Not strike, he's the only one with a functioning brain.
And at moments its so Japanawkward, that it's funny.AndyDufresne wrote:AOG, you should watch Onibaba (1964). I think you would like it. Lots of eroticism and some toplessness, plus sometimes it is weird and creepy. I think it is available for stream on Hulu Plus, or you can get a Netflix DVD.Army of GOD wrote:So I saw The Conjuring two nights ago. I was reminded why most modern horror movies suck.
It was completely fucking predictable from beginning to end.
http://www.criterion.com/films/665-onibaba [Trailer here]
Deep within the wind-swept marshes of war-torn medieval Japan, an impoverished mother and her daughter-in-law eke out a lonely, desperate existence. Forced to murder lost samurai and sell their belongings for grain, they dump the corpses down a deep, dark hole and live off of their meager spoils. When a bedraggled neighbor returns from the skirmishes, lust, jealousy, and rage threaten to destroy the trio’s tenuous existence, before an ominous, ill-gotten demon mask seals the trio’s horrifying fate. Driven by primal emotions, dark eroticism, a frenzied score by Hikaru Hayashi, and stunning images both lyrical and macabre, Kaneto Shindo’s chilling folktale Onibaba is a singular cinematic experience.
--Andy